DEBORAH REMINGTON

The Deborah Remington Charitable Trust for the Visual Arts

Deborah Remington

CV/Bibliography
Deborah Remington 1930-2010

Lived and worked in San Francisco, CA, and New York, NY

 

EDUCATION

BFA: California School of Fine Arts, San Francisco, 1955

 

SELECTED SOLO EXHIBITIONS

 

2016   Deborah Remington: 1972-1982. Organized in collaboration with Jay Gorney.
           Galerie Kimmerich, Berlin, Germany

2015   Deborah Remington: 1963-1983. Organized by Jay Gorney. Wallspace Gallery, New York, NY

2012   Deborah Remington, Selected Works from 1964-1975, David Richard Gallery, Santa Fe

2001   Mitchell Algus Gallery, New York, NY

1992   Galerie Darthea Speyer, Paris, FR

1987   Shoshana Wayne Gallery, Los Angeles, CA

1986   Jack Shainman Gallery, New York, NY

1984   Oakland Museum of Art, Oakland, CA

           Adams-Middelton Gallery, Dallas, TX

           Gallery Paula Anglim, San Francisco, CA

           San Jose State University, San Jose, CA

1983   Ramon Osuna Gallery, Washington, D.C.

           Newport Harbor Art Museum, Newport Beach, CA

1982   Mary Ryan Gallery, New York, NY

1980   Bonfoey Gallery, Cleveland, OH

1979   Michael Berger Gallery, Pittsburgh, PA

1978   Art Gallery, Miami Dade Community College, South Campus, Miami, FL

1977   Hamilton Gallery, New York, NY

           Portland Center for the Visual Arts, Portland, OR

           University of Missouri, Kansas City, MO

1976   Pyramid Gallery, Washington, D.C.

           Zolla-Lieberman Gallery, Chicago, IL

           Michael  Berger Gallery, Pittsburgh, PA

           Brooke Alexander Inc., New York, NY

1974   Bykert Gallery, New York, NY

           Brooke Alexander, Inc., New York, NY

           Michael Berger Gallery, Pittsburgh, PA

1973   Pyramid Gallery, Washington, D.C.

           Galerie Darthea Speyer, Paris, FR

1972   Bykert Gallery, New York, NY

1971   Galerie Darthea Speyer, Paris, FR

           Obelisk Gallery, Boston, MA

1969   Bykert Gallery, New York, NY

1968   Galerie Darthea Speyer-, Paris, FR

1967   Bykert Gallery, New York, NY

1965   Dilexi- Gallery, San Francisco, CA

1964   San Francisco Museum of Modern Art, San Francisco, CA

1963   Dilexi Gallery, San Francisco, CA

1962   Dilexi Gallery, San Francisco, CA

 

 

SELECTED GROUP EXHIBITIONS

 

 

2016   Women of Abstract Expressionism. Denver Art Museum, Denver, CO.
           Traveling to the Mint Museum, Charlotte, NC; Palm Springs Art Museum, Palm Springs, CA; 
           Whitechapel Gallery, London (2017)

2015   Is/Isn't: Art on the Verge of Abstraction. George Adams Gallery. New York, NY

2015   Expanding Perceptions: Deborah Remington, Beverly Pepper, and Jack Goldstein.

           Marlborough Chelsea, New York, NY

2015   Frieze New York, Wallspace, New York, NY

           Metro Show NYC, David Richard Contemporary, Santa Fe, NM

2014   A Drawing Show, Matthew Marks Gallery, New York, NY

          Fertile Ground. Art and Community in California. Oakland Museum of California,

              Oakland, CA

          The Avant-Garde Collection, Orange County Museum of Art, Newport Beach, CA

          Metro Show NYC, David Richard Contemporary, Santa Fe, NM

          Gesture Then and Now: The Legacy of Abstract Expressionism, David Richard

              Contemporary, Santa Fe, NM

2013  Color as Abstraction, David Richard Contemporary, Santa Fe, NM

          Abstract Expressionism, David Richard Contemporary, Santa Fe, NM

          Metro Show, NYC, David Richard Contemporary, Santa Fe, NM

2012  Abstract Expressionism, David Richard Contemporary, Santa Fe, NM

2011  Bella Pacifica: Bay Area Abstraction, 1946-1963, Nyehaus Gallery, New York, NY

          Bay Area Abstraction: 1945-1965: David Richard Contemporary, Santa Fe, NM

2009  Psychedelic: Optical & Visionary Art Since the 1960s, San Antonio Museum of Art,

              San Antonio, TX — (traveled to other museums in the U.S. through 2011)

2008  The Artist’s Mark: Then and Now, Sirolli Fine Art, New York, NY

          Printed in Omaha: A Retrospective Exhibition of the UNO Print Workshop. University

              of Nebraska at Omaha, Omaha, NE

          The Abstract Impulse: Fifty Years of Abstraction at the National Academy

          1956-2006, National Academy Museum, New York, NY

2007  Disegno 182nd Annual Exhibit, National Academy, New York, NY

2005  Paths to the Press: Printmaking and American Women Artists 1910-1960, Mariana

          Kistler Beach Museum of Art, Kansas State University, Manhattan, KS

           — (traveled to Mary & Leigh Block Museum of Art, Evanston, IL 2005 and

                 other venues in 2006-2008)

          Disegno 180th Annual Exhibit, National Academy, New York, NY

2004  Contemporary Prints from the Collection, National Academy of Design Museum, NY

2003  Disegno 178th Annual Exhibit, National Academy, New York, NY

2002  Parallels and Intersections: Art/Women/California 1950-2000, San Jose Museum of

          Art, San Jose, CA

2001  The Stamp of Impulse: Abstract Expressionist Prints, Worcester Art Museum,

          Worcester, MA — (traveled to Cleveland Museum of Art, Cleveland, OH, Amon-Carter

          Museum, Fort Worth, TX, and others)

2000  Reconstructing Abstraction, Mitchell Algus Gallery, New York, NY

          175th Annual Exhibition, National Academy, New York, NY

1994  The Print Club of Cleveland Publication Prints 1924-1994: 75th Anniversary

          Exhibition, Cleveland Museum of Art, Cleveland, OH

1990  The 6 Gallery 1954-1957, Natsoulas Noveloso Gallery, Davis, CA

          The Question of Drawing, South Campus Art Gallery, Miami-Dade College, Miami,

             FL — (traveled to other museums 1989-1990)

1989  The Question of Drawing, South Campus Art Gallery, Miami-Dade College, Miami

          41st Annual Purchase Exhibition, American Academy and Institute of the Arts and

             Letters, New York, NY

1988  Fall Invitational, The Aldrich Museum of Contemporary Art, Ridgefield, CT

          40th Annual Purchase Exhibition, American Academy and Institute of the Arts and

             Letters, New York, NY

1987  39th Annual Purchase Exhibition, American Academy and Institute of the Arts and

             Letters, New York, NY

1985  American Art: American Women, Stamford Museum, Stamford, CT

1984  The Dilexi Years: 1958-1970, Oakland Museum of Art, Oakland, CA

          La Part Des Femmes Dans L’Art Contemporain, Gallery Municipale,

             Ville De Vitry Sur-Seine, FR

1981  LIS ‘81, International Exhibition of Drawings, National Gallery of Modern Art,

             Lisbon, PT

          The New Spiritualism, Oscarsson Hood Gallery, New York, 1981 — (travels to two

             University museums in 1981, 1982)

          New Dimensions in Drawing, Aldrich Museum of Contemporary Art, Ridgefield, CT

1977  New in the 70’s, Blanton Art Museum, University of Texas at Austin, Austin, TX

          41st Annual National Mid-Year Show, Butler Institute of American Art,

             Youngstown, OH

          Drawings of the 70’s, The Art Institute of Chicago, Chicago, IL

          National Collection of Fine Arts, Washington, D.C.

1976  American Artists ‘76: A Celebration, McNay Art Institute, San Antonio, TX

          Drawing Now: 10 Artists, SoHo Center for the Visual Arts, New York, NY

          Drawing Today in New York — (traveled to 6 University Museums in 1976-1977)

          Painting and Sculpture in California: the Modern Era, San Francisco Museum of

             Modern Art, San Francisco, CA

          Three Artists: Three Viewpoints, Museum of North Texas State University,

             Denton, TX

1975  Painting Endures, Institute of Contemporary Art, Boston, MA

          Image, Color, and Form: Recent Paintings by Eleven Americans, Toledo Museum,

             Toledo, OH

1974  71st American Exhibition, Art Institute of Chicago, Chicago, IL

          Woman’s Work American Art, Museum of the Philadelphia Civic Center,

             Philadelphia, PA

1973   A Period of Exploration, Oakland Museum, Oakland, CA

1971  Drawings by New York Artists, Utah Museum of Fine Arts, Salt Lake City, UT (travels

          to other museums, 1972-1973)

1970  L’Art Vivant Americain, Fondation Maeght, St. Paul de Vence, FR

          Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN

          American Painting Today, Virginia Museum, Richmond, VA

1968  Art Vivant 1965-1968, Fondation Maeght, St. Paul de Vence, FR

          The Art of Organic Form, Smithsonian Institution, Washington, D.C.

          Art on Paper, Weatherspoon Art Gallery, University of North Carolina,

             Chapel Hill, NC

1967 Whitney Museum Painting Annual, New York, NY

          University of Illinois Biennial, University of Illinois, Champagne-Urbana, IL

1966  11 Salon de Galleries Pilotes, Lausanne Museum, Lausanne, CH

          Recent Acquisitions Show, Whitney Museum, New York, NY

1965  Whitney Museum Painting Annual, New York, NY

          Recent California Painting and Sculpture, La Jo11a Museum, San Diego, CA

          San Francisco Museum of Modern Art Painting Annual, San Francisco Museum of

             Modern Art, San Francisco, CA

1964  San Francisco Museum of Modern Art Painting Annual, San Francisco Museum of

             Modern Art, San Francisco, CA

1963  San Francisco Museum of Modern Art Painting Annual, San Francisco Museum of

          Modern Art, San Francisco, CA

1962  Drawings from West Coast America, Auckland Museum, Auckland, NZ

1961  San Francisco Museum of Modern Art Painting Annual, San Francisco Museum of

          Modern Art, San Francisco, CA

1960  San Francisco Museum of Modern Art Painting Annual, San Francisco Museum of

          Modern Art, San Francisco, CA

1956  San Francisco Museum of Modern Art Painting Annual, San Francisco Museum of

          Modern Art, San Francisco, CA

 

SELECTED PUBLIC COLLECTIONS

 

Achenbach Foundation, San Francisco, CA

Addison Gallery of American Art, Andover, MA

Art Institute of Chicago, IL

Auckland Museum, NZ

Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA

Bibliotheque Nationale, Paris, FR

Boymans Museum, Rotterdam, NL

Bryn Mawr College Art Gallery, Bryn Mawr, PA

Butler Institute of American Art, Youngstown, OH

Carnegie Museum, Pittsburgh, PA

Centre d’Art et de Culture Georges Pompidou, Paris, FR

Cleveland Museum of Art, Cleveland, OH

Columbus Museum of Art, Columbus, OH

Delaware Art Museum, Wilmington, DE

Denver Art Museum, Denver, CO

Fort Wayne Museum of Art, Fort Wayne, IN

Grunwald Center for the Graphic Arts, Fine Arts Museum, University of California Los Angeles,

   Los Angeles, CA

Jersey City Museum, Jersey City, NJ

Krannert Art Museum, University of Illinois, Champagne, 1L

Metropolitan Museum of Art, New York, NY

Milwaukee Art Museum, Milwaukee, WI

Museum of Art, Indianapolis, IN

Museum of Art, University of New Mexico, Albuquerque, NM

Museum of Contemporary Art, San Diego, CA

National Academy of Design, New York, NY.

New York Public Library, New York, NY

Nora Eccles Harrison Museum of Art, Logan, UT

Oakland Museum of Art, Oakland, CA

Oklahoma City Museum of Art, Oklahoma City, OK

Orange County Museum of Art, Newport Beach, CA

Phoenix Museum of Art, Phoenix, AZ

San Antonio Museum of Art, San Antonio, TX

San Francisco Museum of Modern Art, San Francisco, CA

Smithsonian American Art Museum, Washington, D.C.

Toledo Museum of Art, Toledo, OH

Wadsworth Atheneum, Hartford, CT

Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

Whitney Museum of American Art, New York, NY

Worcester Art Museum, Worcester, MA

Yale University Art Gallery, New Haven, CT

 

 

AWARDS, INTERVIEWS, & RESIDENCIES

 

 

2004 Interviewed by the Archives of American Art, Smithsonian Institution, Washington, D.C.

2003 Benjamin Altman Prize for Painting, National Academy of Design, New York, NY,

         178th Annual Exhibition

1999 Pollock-Krasner Foundation Grant

         Elected to the National Academy of Design

1988 Hassam & Speicher Purchase, American Academy and Institute of Arts and Letters

1984 Guggenheim Fellowship

1980 Artist in Residence, Tamarind Fellowship

1979 National Endowment Fellowship

1978 Artist in Residence, Tamarind Fellowship

1975 Artist in Residence, Tamarind Fellowship

1973 Artist in Residence, Tamarind Fellowship

1972 Interviewed by the Archives of American Art, Smithsonian Institution, Washington, D.C.

 

 

SELECTED REVIEWS & BIBLIOGRAPHY

 

2016  Gonzalez, Alexandra. “The Volcanoes of he West Coast.” Süddeutsche Zeitung Magazine.

          February 26, 2016. Review of Deborah Remington: The 70s and 80s, Kimmerich Gallery,

          Berlin, February 27-April 23, 2016.

 

          Elderton, Louisa. Review of Deborah Remington: The 70s and 80s, Kimmerich Gallery,

          Berlin. February 27-April 23, 2016, Artforum online, March 28, 2016.

 

2015  Mendelsohn, John. artcritical: "The Dream Life of Forms: Paintings and Drawings by
          Deborah Remington" (Wallspace). August 24, 2015

          Rothfeld, Becca. Art in America: "Deborah Remington. Wallspace." October 2015

          New York Magazine: "Deborah Remington: The Approval Matrix," August 9, 2015

          Ebony, David, “Deborah Remington at Wallspace,” artnet news, July 22, 2015

          Halle, Howard, “Deborah Remington” (Wallspace), Time Out, July 2 & July 16, 2015, p. 62

          The New Yorker, “Deborah Remington” (Wallspace), July 20, 2015, p. 10

 

2009 Natsoulas, John et al., Beat Generation, The Art of Wondering, John Natsoulas Press,
         Davis, California

 

2005 Artner, Alan G, “Women Artists Shine at Block,” Chicago Tribune, November 3, 2005

 

2002 Fuller, Diana & Salvioni, Daniela, Art/Women/California: Parallels and Intersections:

         1950-2000, U.C. Press, 2002

         Stewart, Mary, Launching the Imagination, McGraw Hill, New York, 2002

 

2001 Grace, Trudie A, Paper Trail: Prints, Drawings, and Watercolors in the National Academy of

         Design, New York, N.Y. 2001, p. 58

 

2000 Devon, Marge et al, Tamarind: 40 Years, University of New Mexico Press

         Morgan, Robert C., “Reconstructing Abstraction,” Review Magazine, May 1, 2000

         Zinsser, John, “Painter’s Journal,” Artnet,com Magazine Reviews, June 6, 2000

         The New Yorker, “Reconstructing Abstraction,” May 15, 2000

 

1996 Natsoulas, John et al., The Beat Generation Galleries and Beyond,

            John Natsoulas Press, Davis, CA

 

1993 Brewster, Todd, “Commitment, Commitment,”

            At Cooper Union, Vol. XXVI, No. 2, Fall 1993, p. 6-8

 

1992 Seigel, Judy, Mutiny and the Mainstream: Talk That Changed Art, 1975-1990,

            Midmarch Arts Press, New York, NY, 1992, p. 42, 49-51, 71-72, 108, 172

         Bouyeure, Claude, “Deborah Remington,” L’Oeil. No. 439, March 1992, p.88

         Thompson, Walter, “Deborah Remington at Darthea Speyer,” Art in America,

            Vol. 80, No.5, May 1992, p.143-144

 

1991  Anderson-Spivy, Alexandra, “The Price of Fashion in New York,”

          Connoisseur Magazine, p. 23, January, 1991

 

1990 Natsoulas, John et al., Lyrical Vision: The 6 Gallery, 1954-1957,

            Natsoulas/Novelozco Gallery Press, Davis, CA, 1989

         Lee, Anthony W, “The Gang of Six,” Artweek, January 25, 1990

 

1989 Collischan Van Wagner, Dr, Judy K, Lines of Vision: Drawings by Contemporary Women,

            Hudson Hills Press, Inc., New York, 1989

         Raven, Arlene & Brown, Betty Ann, Exposures, Women & Their Art,

            New Sage Press, Pasadena, CA, 1989

         Grant, Daniel, “Success Stories,” American Artist, Vol. 53, No. 569, December, 1989 p.53

 

1988 Ragon, Michel and Pleynet, Marcelin, L’Art Abstrait, 5th edition, Editions Maeght,

            Paris, 1988

         Thorson, Alice, “An Intelligent Drawing Room,” Washington Times, February 18, 1988

         Muchnic, Suzanne, Los Angeles Times, Friday, May 20, 1988, Part VI

         Frank, Peter, “Deborah Remington: Recent Works,” L.A. Weekly, June 3-9, 1988

 

1987 Curtiss, Deborah, Introduction to Visual Literacy: A Guide to the Visual Arts and

         Communication, Prentice-Hall, New York, 1987, p. 55 & 57, 98

         Raven, Arlene, “Night Light,” The Village Voice, Vol. XXXII, No.13, March 31, 1987, p. 90

         Raynor, Vivien, “Review of exhibition at Jack Shainman Gallery,”

             The New York Times, Friday, April 3, 1987, p. C22

         Thompson, Walter, “Deborah Remington at Jack Shainman,” Art in America,

             Vol. 75, No.7, July, 1987, p. 126-127

         Rubin, Edward, “Deborah Remington,” New Art Examiner, Vol. 14, No. ll,

            Summer 1987, p. 53-54

 

1985 Albright, Thomas, Art in the San Francisco Bay Area, 1945-1980: An Illustrated History,

            University of California Press, Berkeley, CA

         Robins, Corinne, The Pluralist Era, American Art 1968-1981,

            Harper and Row, New York, 1985

         Donohoe, Victoria, “Abstractions of a Painter Whose Work Stands Apart,”

            The Philadelphia Inquirer, November 5, 1985, p. 39

         Watson, Carol A, “Her Art Comes from Around the World,”

            The Philadelphia Inquirer, Sunday, November 17, 1985, p. 3-W

 

1984 Kutner, Janet, “Taking Advantage of Her Own Advice,”

            The Dallas Morning News, June 15, 1985, p. 1C, 3C

         Regan, Kate, “Remington: Past and Present,” San Francisco Chronicle,

            Thursday, October 11, 1984, p. 73

         Regan, Kate, “Recalling The Dilexi Spirit,” San Francisco Chronicle,

            Sunday, November 11, 1984, p. 12

 

1983 Ashton, Dore and Schimmel, Paul, Deborah Remington: A 20-Year Survey,

            Newport Harbor Art Museum, Newport Beach, CA

         Gatenby, Greg, Ed., Whales, A Celebration, Greenpeace Foundation,

            Little, Brown & Co., Boston, Toronto, 1983, p. 154

         O’Conner, Thomas, “Of Seductive Surfaces,” December 15, 1983- March 25, 1984,

            The Register, Sunday, December 18, 1983, Arts & Leisure, K section

         Donahoe, Victoria, Philadelphia Inquirer, Sunday, May 8, 1983, p. 14-H

 

1982 Ashton, Dore, American Art Since l945, Oxford University Press, NY, 1982, p.158

         Rubinstein, Charlotte S., American Women Artists: From the Indian to the Present,

            G,K, Hall, Boston and Avon Books, New York, 1982

         Cecil. Sarah, “Deborah Remington,” ARTnews, Vol. 81, No. 6, Summer issue, 1982, p. 206

            Wortz, Melinda, “New Editions,” ARTnews, Vol. 82, No. 4, April. 1983, p. 88-89

 

1980 Donnell-Kotrozo, Carol, “The Dynamics of Illusion,” Artweek, February 2, 1980, Vol. ll, No. 4

         Cullinan, Helen, “Painterly Mix of Fire and Ice Goes on Display,” The Plain Dealer,

            Thursday, May 22, 1980

         Millner, Gloria, “Maverick Artist Has Her Own Rules,” The Cleveland Press,

            Friday, May 30, 1980, p. B

         Larson, Kay, “Selling Yourself Yourself,” Village Voice, October 15-21, 1980, p. 71

         Wojno, Gcraldine, “Deborah Remington,” Arts Magazine, December 1980,

            Vol. 55, No. 4, p. 10

 

1979 Kuspit, Donald B, “Deborah Remington: Autonomy and Absence in the Visual Koan,”

            Art International, Summer Issue, 1979, Vol. XXIII/3-4, p.17, p. 18

         Robins, Corinne, “Deborah Remington: New Drawings,” Arts Magazine, November 1979,

            Vol. 54, No. 3, p. 136

         Young, Joseph E, “Impressive Modern Art Highlights Exhibition,” The Arizona Republic,

            Sunday, December 16

 

1978 Veciana, Ana, “Deborah Remington: Portrait of the Artist as a Young Maverick,”

            The Miami News, Friday, March 10, 1978, p. 8D

         Edwards, Ellen, “The Unique Vocabulary of Deborah Remington,” The Miami Herald,

            Sunday, March 12, 1978

1977 Bevlin, Marjorie Elliott, Design Through Discovery, Holt, Reinhart and Winston,

            New York, 1977, p. 86

         Kingsley, April, “Review of group exhibition at Hamilton Gallery,” SoHoWeekly News,

            February 10, 1977, p. 16

         Glueck, Grace, “Review of group exhibition at Hamilton Gallery,”

            The New York Times, February 11, 1977

         Robins, Corinne, “Deborah Remington: Paintings Without Answers,” Arts Magazine,

            April 1977, Vol. 51, No. 8, p. 140, 141

         Anderson, Alexandra, “Voice Choices,” The Village Voice, Vol. XXII, No. 16,

            April 18, 1977, p. 82

         Glueck, Grace, “Art: Deborah Remington Refines Contour of a Mystery Form,”

            The New York Times, Friday, April 29, 1977

         Kramer, Hilton, “Review of group drawing exhibition at Hamilton Gallery,”

            The New York Times, Friday, June 24, 1977

         Wooster, Ann-Sargent, “Review of exhibition at Hamilton Gallery," NY, ARTnews,

            Summer, 1977, Vol. 76, No. 6, p. 195

         Moore, Sylvia, The Feminist Art Journal, Summer 1977, Vol. 6, No. 2, “Review of exhibition

            at Hamilton Gallery,” p. 51, p. 52

         Hartman, Barbara, “Deborah Remington to Speak on Her Personal Vision of Art,” Gazette

            Journal, Reno, NV, November 6,1 977

         Perreault, John, “Deborah Remington,” Vogue Magazine, March 1978,

            Vo1. 168, No. 3, p.46

 

1976 Cummings, Paul, American Drawings: The 20th Century, Viking Press, 1976

         Robbins, Corinne, Drawing Now: 10 Artists, SoHo Center for Visual Arts,

            June 3-June 26, 1976

         Glueck, Grace, “Ballroom on a Ballroom Wall is Unveiled in SoHo,” New York Times,

            March 23, 1976

         Perreault, John, “Breaking Guitars,” SoHo News, June 10, 1976 p.18

         Anderson, Alexandra, “A Singular Painter Sees Double,” Village Voice,

            September 6, 1976, p. 78

         Carter, Malcolm N., “The World Art Market Conference,” ARTnews, Vol.75, No. 10,

            December, 1976, p. 51

         Gorney, Jay, “Drawing Today in New York,” The College Art Association Art Journal,

            XXXV1/2, Winter 1976/77, p. 143

 

1975 Contemporary Artists, St, James Press, London, 1975 Ed

         Shapiro, Miriam, Art: A Woman’s Sensibility, California Institute of the Arts, Valencia, CA,

            1975, p. 57

         Larson, Kay, “Partying in the Palace of the ICA,” The Real Paper, May 21, 1975, p. 24

         Artner, Alan G, “On View at the Institute, A Small Scale Showing that Loses its Balance,”

            Chicago Tribune, May 25, 1975

         Robins, Corinne, “Deborah Remington: Cool Fire,” Arts Magazine, October, 1975,

            Vo1. 50, No. 2, p. 50

         Miller, Donald, “Deborah Remington’s ‘Portraits of Objects in Space,’” ARTnews, October,

            1975, Vol. 74, No. 8, p. 86, p. 87

 

1974 “Review: Exhibition at Galerie Darthea Speyer, Paris,” Opus International, #48,

            January, 1974, p. 78

         Miller, Donald, “Abstracts Show Highest Quality,” Pittsburgh Post-Gazette,

            February 25, 1974

         Cummings, Paul, “New Editions,” Art News, Vol. LXXIII, No. 3, March, 1974, p. 49-50

         Rose, Barbara, “Vaginal Iconography,” New York Magazine, February 11, 1974, p. 59

        “Anonymous Was a Woman, A Documentation of the Women’s Art Festival 1974,”

            Feminist Art Program, California Institute of the Arts, Valencia, CA, p.114

         Glueck, Grace, “In Philadelphia, Sisterly Love,” New York Times, May 20, 1974

         Anderson, Alexandra, Village Voice, September 12, 1974, p. 56

         Perreault, John, Village Voice, September 26, 1974, p. 40

         Frank, Peter, “Exhibition at Brooke Alexander,” ARTnews, October, 1974, Vol. LXXIII,

            No. 8, p. 122

         Dreiss, Joseph, “Exhibition at Bykert Gallery,” Arts Magazine, November, 1974,

            Vol. 49, No. 3, p. 13, p. 12

         Frank, Peter, “Exhibition at Bykert Gallery,” ARTnews, November, 1974,

            Vol. 73, No. 9, p. 114

 

1973 Hess, Thomas B, & Baker, Elizabeth C., Art And Sexual Politics, Collier,

            New York, 1973, p. 128

         McChesney, Mary Fuller, A Period of Exploration, The Oakland Museum, Oakland, CA

         Crimp, Douglas, “New York Letter,” Art International, Vol. VII, February 1973, p. 68, p. 49

         Brumer, Miriam, “Organic Image: Woman’s Image,” The Feminist Art Journal,

            Spring 1973, p.13

         Shapiro, Miriam & Chicago, Judy, “Female Imagery,” Womanspace Journal,

            Vol. I, No. 3, Summer, 1973, p. 13

         Gibson, Michael, “Exhibition at Galerie Darthea Speyer,” Herald Tribune, October 1973

 

1972 Cummings, Paul, Archives of American Art, Smithsonian Institution, Washington, D.C.,

            Summer 1972, Interview

         Weiss, Margaret, “Bykert Gallery, New York Exhibitions,” ARTnews, Vol. LXXI,

            December 1972, p. 73

         Frank, Peter, “Manifestations Internationales: New York,” Artitudes, Numero 2,

            December 1972-January 1973, p. 38

         “Review: Darthea Speyer Gallery,” Art and Artists, Vol. VI, January 1972, p. 54, il. Seneca

         “Review: Galeria Darthea Speyer,” Goya, Vol. 106, January 1972, p. 247, il. Tudor

         Davis, Douglas, “Portrait of Young Artists,” Newsweek, February 7, 1972

         Mellow, James R., “Paintings by Deborah Remington Shown at the Bykert Gallery,”

            New York Times, November 25, 1972, p. 23:1

 

1971 Koethe, J., “Obelisk Gallery, Boston, Exhibition,” ARTnews, Vol. 70, Summer, 1971, p. 67

         “Review: Darthea Speyer Gallery,” Art International, Vol. XV, November 1971, p. 64

         Marchand, Sabine, “Exhibition at Galerie Darthea Speyer,” Le Figaro, September 30, 1971

         Gibson, Michael, “Exhibition at Galerie Darthea Speyer,” Herald Tribune, October 6, 1971

         Breerette, Genevieve, “Exhibition at Galerie Darthea Speyer,” Monde, October 6, 1971

 

1970 Ratcliff, Carter, “Exhibition at Bykert Gallery,” Art International, Vol. XIV, January, 1970, p. 90

         Ashton, Dore, La Peinture Modern aux Etats-Unis, UNESCO, 1970

 

1969 Cutler, Carol, Art In America, Vol. LVII, March 1969, p. col

         Perreault, John, The Village Voice, November 20, 1969, p. 34

         Ashton, Dore, “Exhibition at Bykert Gallery,” Studio International, Vol. 178,

           December, 1969, p. 231

1968 Ashton, Dore, “Quid est:…For an Answer Only Enigma,” Arts Magazine, Vol. XLIII, No. 5,

            March 1968, p. 48

         Miege, Denise, “Exhibition at Galerie Darthea Speyer, Paris,” Opus International, No. 7

            Juin, Paris, p. 84

         Leveque, Jean-Jacques, “Exhibition Galerie Darthea Speyer, Paris,” La Galerie des Arts,

            Julliet-Aout

1967 Ashton, Dore, “New York Gallery Notes,” Art in America, Vol. LV, January, 1967, p. 93

         Browne, Rosalind, “Show at Bykert Gallery,” ARTnews, Vol. LXVI, No. 2,

            January 1967, p. 14

         Ashton, Dore, “Deborah Remington at Bykert,” Studio International, Vol. 173,

            June, 1967, p. 317

         Taylor, Simon Watson, “Space Machines,” Art and Artists (London) Vo l, II, No. 5,

            August, 1967, p. 30-33

1966 Stiles, Knute, “The Mysterious Machine,” Artforum, Vol. IV, No. 6, February, 1966,

            p. 25-26, Statement

         Art International, Vol. X, No. 5, May 20, 1966

         Friedman, B.H., “The Whitney Review, 1965-1966, The Whitney Museum’s New Home,”

         The Whitney Museum of American Art, New York, 1966, p.12

 

1965 Ventura, Anita, “San Francisco: The Aloof Community,” Arts Magazine, Vol. IXL, No. 7,

            April. 1965, p. 72-73

         Stiles, Knute, “84th Annual,” Artforum, Vol. IV, No. 2, October, 1965, p. 42-43

         Monte, James, “Exhibition: Dilexi Gallery,” Artforum, Vol. IV, No. 3, November 1965,

            p. 47-48

 

1964 Stiles, Knute, “San Francisco Drawings and the Like,” Artforum, Vol. II, No. 10,

            April 1964, p. 13

         Ventura, Anita, “Drawings and the Like in San Francisco,” Arts Magazine, Vol. 38,

            April 1964, p.54

         Ventura, Anita, “Exhibition of Drawings in the San Francisco Museum of Art,” Arts Magazine,

            Vol. IXL, October, 1964, p. 25

 

1963 Perkins, Constance, “Deborah Remington Shows Art With Dynamic Vitality,”

            Los Angeles Times, February 11, 1963

         M.D., “Exhibition at Dilexi Gallery,” Artforum, Vol. I, No. 11, May 1963, p. 48

 

1962 H.W. , “San Francisco Art Institute Art Bank,” Artforum, Vol. I, No. 4, September, 1962, p. 46

         Monte, James, “Exhibition at Dilexi Gallery,” Artforum, Vol. I, No. 7, December 1962, p. 48

 

 

CATALOGS

 

2014 Dan Cameron & Fatima Manalili, The Avant-Garde Collection, Orange County Museum

         of Art, Newport Beach, CA

 

2010 David S. Rubin, ed., Psychedelic: Optical & Visionary Art Since the 1960s, San Antonio

         Museum of Art, San Antonio, TX

 

2008 A Retrospective Exhibition of the UNO Print Workshop Omaha, Nebraska, University

         of Nebraska at Omaha, Printed in Omaha

         Logan, UT, Nora Eccles Harrison Museum of Art, “In the Spirit of the Times,”

            September 2003-July 2004

 

2007  National Academy, 182nd Annual Exhibition, New York, NY, May 18-June 24, 2007

 

2005 Yablonsky, Linda, Deborah Remington: Recent Work, New York, NY, Mitchell Algus Gallery

National Academy, Disegno. 180th Annual Exhibition

 

2003 Challenging Tradition: Women of the Academy 1826-2003, New York, NY, National Academy of Design

 

2001 Acton, David, The Stamp of Impulse: Abstract Expressionist Prints, Worcester Art Museum, Worcester, MA p.137 and catalogue cover

 

2000 175th Annual Exhibition, National Academy of Design, New York, NY

 

1992 Kertess, Klaus, Deborah Remington, Galerie Darthea Speyer

 

1989 Ashton, Dore, The Question of Drawing, Miami, FL, South Campus Art Gallery,

            Miami Dade College, Essay by Dore Ashton

 

1977 Joachim, Harold, Drawings of the 70s, Art Institute of Chicago, Society for

            Contemporary Art, Chicago, IL

         Sollins, Susan, 41st Annual Midyear show, The Butler Institute of American Art,

            Youngstown, OH, The Butler Institute of American Art

         von Groschwitz, Gustave, Contemporary Collectors, Tamarind Institute,

            Tamarind Suite Fifteen, Albuquerque, NM

         Seabolt, Fred, New in the Seventies, University Art Museum, Austin, TX

         Robins, Corrine, Drawing Now: 10 Artists, June 3-26, 1976 New York, NY, SoHo

            Center for Visual Artists

         American Artists ’76: A Celebration, Marion Koogler McNay Art Institute, San Antonio, TX

         Painting and Sculpture in California: The Modern Era, San Francisco Museum of

            Modern Art, San Francisco, CA

 

1975 Image, Color and Form, Todelo Museum of Art, Toledo, OH p. 21

         Lithography I, Art Museum, University of New Mexico, Albuquerque, NM, p. 12

         Dore, Ashton, Painting Endures, Institute of Contemporary, Boston, MA

         Frank, Peter, The Small Scale in Contemporary Art, Art Institute of Chicago, Chicago, IL

 

1974 Woman’s Work-American Art 1974, Philadelphia Civic Center Museum, Philadelphia, PA

         71st American Exhibition 1974, Chicago, Il. Art Institute of Chicago, p. 44

         19th National Print Exhibition, Brooklyn, NY, The Brooklyn Museum, Brooklyn, NY

 

1973 Kunst von 2e Eeuw, Museum Boymans von Beuningen, Rotterdam, NL, p. l26

         Small Works Selections from the Richard Brown Baker Collection of Contemporary Art,

         Museum of Art, Rhode Island School of Design, Providence, RI, p. 88

 

1972 Drawing by New York Artists, Utah Museum of Fine Arts, Salt Lake City, UT, 1972

         New York, NY, Whitney Museum of American Art, Annual Exhibition, 1972

         Pyramid Galleries Group Exhibition, Westmoreland County Museum of Art, Greensburg, PA

 

1971 What’s Happening in Soho College Park, University of Maryland, College Park, MD

 

1970 Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN, 1970, p. 14

         Selz, Peter, American Painting 1970, Virginia Museum of Fine Art

          Ashton, Dore, L’Art Vivant aux Etats-Unis, Foundation Maeght, St, Paul de Vence, p. 83

         17th Annual Print Exhibition, The Brooklyn Museum, Brooklyn, NY

 

1968 Deborah Remington, Paris, Galerie Darthea Speyer

         Wehrlin, Francios, L’Art Vivant, 1965-1968, Foundation Maeght, St. Paul de Vence, FR

 

1967 Contemporary American Painting and Sculpture, Krannert Art Museum,

         University of Illinois, Urbana, IL, 1967, p. 16

         Annual Museum, Whitney Museum of American Art, New York, NY

 

1966 2e Salon International de Galleries Pilotes, Lausanne, CH, 1966, p. 38

         International Council of the Museum of Modern Art, Committee for Art in Embassies,

            New York, NY

         Bykert Gallery Catalogue 1966-67 Season, New York, NY

 

1965 Less Known and Unknown Painters, Young American Sculpture-East to West,

            American Express Pavilion,

         New York World’s Fair, March 1965 p. 54

         Some Aspects of California Painting and Sculpture, La Jolla Museum of Art, La Jolla, CA,

            March 1965, D. 17

         The Drawing Society Regional Exhibition, Palace of the Legion of Honor,

            San Francisco, CA, 1965, p. 13

         Far West Regional Exhibition of Art Across America, San Francisco Museum of Modern Art,

            San Francisco, CA

         Annual Exhibition, Whitney Museum of American Art

         84th Annual Exhibition, San Francisco Museum of Art, San Francisco, CA

         Ten Touring Exhibitions, 1965-1966, Artists Association of the San Francisco Art Institute,

            Art Bank San Francisco, CA

 

1964 83rd Annual Exhibition, San Francisco Art Institute, San Francisco, CA, p. 20

          Artists Association of the San Francisco Art Institute, Art Bank 64/66,

            San Francisco, CA, p. 97

 

1963 4th Winter Invitational, California Palace of the Legion of Honor, San Francisco, CA

         82nd Annual Painting Exhibition, San Francisco Museum of Art, San Francisco, CA

         Exhibition of Contemporary Bay Area Art San Francisco, First Savings and

           Loan Association, San Francisco, CA

 

1962 Drawings from West Coast of U.S.A., Auckland Museum of Art, Auckland, NZ

         Artists Association of the San Francisco Art Institute, Art Bank 62/63,

            San Francisco, CA, p.100

 

1961 80th Annual Painting Exhibition San Francisco, San Francisco Museum of Art,

            San Francisco, CA

 

1960 79th Annual Painting and Sculpture Exhibition, San Francisco Museum of Art,

            San Francisco, CA

         23rd Annual Print and Watercolor Exhibition, San Francisco Art Association,

            San Francisco, CA

 

1958 22nd Annual Drawing and Print Exhibition, San Francisco Art Association,

         San Francisco, CA

 

1956 Second National Exhibition of Prints, Oakland Art Museum, Oakland, CA

         19th  Annual Drawing and Print Exhibition, San Francisco Art Association,

            San Francisco, CA

         Painting and Sculpture Exhibition, San Francisco Art Association, 75th Annual,

            San Francisco, CA

 

1955 5th Annual Exhibition Oil and Sculpture, Richmond Art Center Richmond, CA

         Western Sculpture and National Print Exhibition, Oakland Art Museum, Oakland, CA

         First National Exhibition of Prints, Oakland Art Museum, Oakland, CA

         First Graphics Exhibition, Texas Western College, El Paso, TX

         Hopkins, Henry, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.

 

1954 3rd Annual Print Exhibition, Portland Museum of Art, Portland, OR

 

 

 

 

On Creativity “The forms I invent become the natural elements of a landscape of an interior world, and it is towards a more intense awareness of that world and an increasingly sensitive depiction of that landscape that I work.” —Deborah Remington

 

© 2016-2017 Deborah Remington Charitable Trust for the Visual Arts    All Rights Reserved