Haddonfield, 1965
187.96 x 175.26 cm
Exhibitions
Dilexi Gallery, San Francisco, September 25 — October 23, 1965 (Solo).Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 8, 1965 —January 30, 1966.
Bykert Gallery, New York, April 1 — April 20, 1967 (Solo).
Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 13, 1967 —February 4, 1968.
The Art of Organic Form, Concoran Gallery of Art, Washington D.C., June 1968 — July 1968.
Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, January 25 —March 19, 1972.
Deborah Remington: A 20 Year Survey, Newport Harbor Art Museum, Newport Beach, CA, December 15, 1983 — March 23, 1984.
Deborah Remington: A 20 Year Survey, Oakland Museum of Art, Oakland, CA, September 8 — October 29, 1984.
Sixties Surreal, Whitney Museum of American Art, New York, September 24, 2025 — January 19, 2026.
Literature
“Remington: Past and Future.” San Francisco Chronicle, October 11, 1984, 73.
Monte, James. “Deborah Remington, Dilexi Gallery.” Artforum 1, no. 7 (December 1962–January 1963): 46.
O’Connor, Thomas. The Register. Arts & Leisure, Santa Ana, CA, December 18, 1983, Section K.
Friedman, B. H. “The Whitney Museum’s New Home.” Whitney Review, 1965–66: 9–19.
Stiles, Knute. “The Mysterious Machine.” Artforum 4, no. 6 (February 1966): 25–26.
Ashton, Dore. “New York Commentary.” Studio International 173, no. 890 (June 1967): 317–319.
Taylor, Simon Watson. “Space Machines.” Art and Artists 2, no. 5 (August 1967): 30–33.
“New York Gallery Notes.” Art in America 55, no. 1 (January–February 1967): 90–95.
Frankenstein, Alfred. “Hansen-Fuller Commemorating the Birth of Avant Garde Art in the Bay Area.” San Francisco Chronicle, October 30, 1975, 45.
Publications
Deborah Remington: A 20-Year Survey. Essay by Dore Ashton. Introduction by Paul Schimmel. Exh. cat., Newport Harbor Art Museum, Newport Beach, CA, and Oakland Museum, Oakland, CA. Newport Beach, CA: Newport Harbor Art Museum, 1983.