Haddonfield, 1965
187.96 x 175.26 cm
Exhibitions
New Acquisitions, Whitney Museum, New York, 1966.Dilexi Gallery, San Francisco, September 25 - October 23, 1965 (Solo).
Bykert Gallery, New York, April 1 - April 20, 1967 (Solo).
The Art of Organic Form, Concoran Gallery of Art, Washington D.C., June 1968 - July 1968.
Deborah Remington: A 20 Year Survey, Newport Harbor Art Museum, Newport Beach, CA, December 15, 1983 - March 23, 1984.
Deborah Remington: A 20 Year Survey, Oakland Museum of Art, Oakland, CA, September 8 - October 29, 1984.
Sixties Surreal, Whitney Museum, New York, September 2025 - February 2026 (Forthcoming).
Literature
“Remington: Past and Future.” San Francisco Chronicle, October 11, 1984, 73.
Monte, James. “Deborah Remington, Dilexi Gallery.” Artforum 1, no. 7 (December 1962–January 1963): 46.
O’Connor, Thomas. The Register. Arts & Leisure, Santa Ana, CA, December 18, 1983, Section K.
Friedman, B. H. “The Whitney Museum’s New Home.” Whitney Review, 1965–66: 9–19.
Stiles, Knute. “The Mysterious Machine.” Artforum 4, no. 6 (February 1966): 25–26.
Ashton, Dore. “New York Commentary.” Studio International 173, no. 890 (June 1967): 317–319.
Taylor, Simon Watson. “Space Machines.” Art and Artists 2, no. 5 (August 1967): 30–33.
“New York Gallery Notes.” Art in America 55, no. 1 (January–February 1967): 90–95.
Frankenstein, Alfred. “Hansen-Fuller Commemorating the Birth of Avant Garde Art in the Bay Area.” San Francisco Chronicle, October 30, 1975, 45.
Publications
Deborah Remington: A 20-Year Survey. Essay by Dore Ashton. Introduction by Paul Schimmel. Exh. cat., Newport Harbor Art Museum, Newport Beach, CA, and Oakland Museum, Oakland, CA. Newport Beach, CA: Newport Harbor Art Museum, 1983.