Merthyr, 1966
182.88 x 177.8 cm
Exhibitions
Bykert Gallery, New York, April 1 — April 20, 1967 (Solo).‘67 Annual Exh. of Contemporary American Painting, Whitney Museum, New York, December 13, 1967 — February 4, 1968.
Galerie Darthea Speyer, Paris, FR, May 7 — June 14, 1968 (Solo).
Radical Software: Women, Art & Computing 1960-1991, Mudam Luxembourg, Luxembourg City, LU, September 20, 2024 — February 2, 2025.
Radical Software: Women, Art & Computing 1960-1991, Kunsthalle Wien, Vienna, AT, February 28 — May 25, 2025.
Literature
Ashton, Dore. “Quid est? ‘. . . For an Answer, Only Enigma.’” Arts Magazine 42, no. 5 (March 1968): 46–48.
de Rijke, Wilhelmina. "Brave New Gallery on the Paris Art Scene." The Montreal Star (April 27, 1968): 12.Ashton, Dore. “New York Commentary.” Studio International 178, no. 917 (December 1969): 230–31.
Lévêque, Jean-Jacques. “La traversée de Paris au dela des pavés”/“The Trip across Paris, or Up and Away from the Cobblestones.” Cimaise 15, no. 87 (June–September 1968): 62–80.
Marchand, Sabine. “Deborah Remington.” [In French and English.] Cimaise 19, nos. 104–5 (November and December 1971–January and February 1972): 54–62.
Browne, Rosalind. “Deborah Remington.” ARTnews 66, no. 2 (April 1967): 14.
Kenedy, R. C. “Paris.” Art International 12, no. 6 (Summer 1968): 115–18.
Vollaard, Lua. “Radical Software: Women Art & Computing 1960-1991.” Art in America, (Spring 2025): p. 110–111.