Engla, 1977
142.24 x 132.08 cm
Exhibitions
University of Missouri, Kansas City, MO, September 25 — October 21, 1977 (Solo).Portland Center for the Visual Arts, OR, November 4 — December 4, 1977 (Solo).
Miami Dade Community College, South Campus Art Gallery, Miami, FL, March 6 — March 30, 1978 (Solo).
The New Spiritualism, Oscarsson Hood Gallery, New York, September 9 — September 26, 1981; Jorgensen Gallery, University of Connecticut, November 16 - December 13, 1981.
Deborah Remington: A 20 Year Survey, Newport Harbor Art Museum, Newport Beach, CA, December 15, 1983 — May 23, 1984.
Deborah Remington: A 20 Year Survey, Oakland Museum of Art, Oakland, CA, September 8 — October 22, 1984.
Literature
“Remington: Past and Future.” San Francisco Chronicle, October 11, 1984, 73.
Shere, Charles. “Strain of Modernism Survives in Paintings of Deborah Remington.” The Tribune (Oakland, CA), October 14, 1984, Tribune Calendar sec., 4.
Ratcliff, Carter. “The Distractions of Theme,” Art in America, October 1, 1981, 19.Rocchia, Andy. “Deborah Remington.” Oregon Journal (Portland, OR), November 17, 1977.
Fagan, Beth. “The Union of Opposites.” Northwest: The Sunday Oregonian Magazine (Portland, OR), November 20, 1977: 15.
Hartman, Barbara. “Deborah Remington to Speak on Her Personal Vision of Art.” Gazette Journal (Reno, NV), November 6, 1977, 2A.
O’Connor, Thomas. The Register. Arts & Leisure, Santa Ana, CA, December 18, 1983, Section K.
Donnell-Kotrozo, Carol. “The Dynamics of Illusion.” Artweek 11, no. 4 (February 2, 1980): 20.
Perreault, John. “Deborah Remington.” Vogue 168, no. 3 (March 1978): 46.
Publications
Ashton, Dore, Deborah Remington, A 20 Year Survey, Newport Harbor Art Museum, cat., 1983.