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Selected Catalogues and Publications
2024 Berenson, Margaret, et al. Deborah Remington. Rizzoli International Publications, 24 Sept. 2024.
2023 Godfrey, Mark and Katy Siegel (Eds). Making Their Mark. Art by Women in the Shah Garg Collection, Gregory R. Miller & Co, New York, 2023, pp 166-167. Landau, Ellen G. and Marter Joan M, Abstract Expressionists. The Women. The Levett Collection. Merrell, London, New York, 2023, pp. 148-152; 223-224. Marter, Joan et al: Action, Gesture, Paint. Women Artists and Global Abstraction. 1940-70, Whitechapel Gallery, London, 2023, pp.129-131, 252.
2022 Zamani, Daniel, Ortrud Westheider, Michael Philipp, Jeremy Lewison, and Graz̆ina Subelytė. The shape of freedom: International abstraction after 1945. Munich: Prestel, 2022. pp.75.
2021 Whitcomb, Laura. Dilexi. A Gallery & Beyond. Label Curatorial, Los Angeles, CA, 2021. pp. 8, 11, 14-16, 18, 92, 119, 140-144, 177, 180, 197, 206, 208-210, 214-215, 218-220, 224, 234, 238-239, 242, 262, 266, 374, 396, 400.
2017 Landauer, Susan. Collecting on the Edge, exh. cat. Nora Eccles Harrison Museum of Art, Utah State University, Utah State University Press, Logan Utah, 2017, p. 231
2016 Marter, Joan M., and Gwen F. Chanzit. Women of Abstract Expressionism. Denver Art Museum In Association with Yale University Press, London and New Haven, 2016. pp. 51, 53, 140, 142, 158, 193.
2015 Gaudens, Maurine St. Emerging From The shadows: A survey of women artists working in California 1860-1960. Atglen, PA: Schiffer Publishing Ltd, 2015.
2010 Natsoulas, John. The Beat Generation. Galleries and Beyond. John Natsoulas Press, Davis, CA, 2010, pp 98-104, 109-110, 270-271. Rubin, David S., Robert C. Morgan, and Daniel Pinchbeck. Psychedelic: Optical and visionary art since the 1960s. San Antonio Museum of Art, 2010. pp. 22-23, pl 11.
2009 Natsoulas, John et al., “Beat Generation, The Art of Wondering”, John Natsoulas Press, Davis, California, 2009, il.
2008 A Retrospective Exhibition of the UNO Print Workshop Omaha, Nebraska, University, of Nebraska at Omaha, 2008. il: Tempus, p. 44 “In the Spirit of the Times,” Nora Eccles Harrison Museum of Art, Logan, UT, September 2003-July 2004, il. Balaton
2007 Price, Marshall N. The Abstract Impulse. Fifty Years of Abstraction at the National Academy of Design, exh. cat. National Academy of Design & School of Fine Arts, New York, in association with Hudson Hills Press, 2007, p. 68.
2005 Yablonsky, Linda, Deborah Remington: Recent Work, New York, NY, Mitchell Algus Gallery, il. Beinen Series I,II,IV, Eridan, NY 180th Annual Exhibition, National Academy of Design, New York. il: Episode. [exhibition catalogue]
2003 Challenging Tradition: Women of the Academy 1826-2003, National Academy of Design, New York, NY, 2003
2002 Fuller, Diana & Salvioni, “Daniela, Art/Women/California: Parallels and Intersections: 1950-2000”, University of Californa Press, Oakland, CA, 2002, ill. p. 100 Stewart, Mary, Launching the Imagination, McGraw Hill, New York, 2002, p. 1-20
2001 Grace, Trudie A, “Paper Trail: Prints, Drawings, and Watercolors in the National Academy of Design”, New York, NY, 2001, p. 58 Acton, David, The Stamp of Impulse: Abstract Expressionist Prints, Worcester Art Museum, Worcester, MA, il: 2300 Skadoo, p.137 and catalogue cover
2000 Devon, Marge et al, Tamarind: 40 Years, University of New Mexico Press, Albuquerque, NM, 2000 175th Annual Exhibition, National Academy of Design, New York, NY. [exhibition catalogue]
1996 Landauer, Susan. The San Francisco School of Abstract Expressionism, exh. cat. Laguna Art Museum, 27 January – 21 April, 1996; SFMoMA: 18 July – 8 September, 1996.University of California Press, Berkeley and Los Angeles. pp. 26, 116, 152, 160, 162, 163, 165, 218 Natsoulas, John et al., The Beat Generation Galleries and Beyond, John Natsoulas Press, Davis, CA, 1996, p. 106, port, p.86.
1993 Brewster, Todd, “Commitment, Commitment,” At Cooper Union, Vol. XXVI, No. 2, Fall 1993, p. 6-8. [ill. Statement, Engla, Hebsed]
1992 Seigel, Judy, Mutiny and the Mainstream: Talk That Changed Art, 1975-1990, Midmarch Arts Press, New York, NY, 1992, p. 42, 49-51, 71-72, 108, 172 Kertess, Klaus, Deborah Remington, Galerie Darthea Speyer. [exhibition catalogue]
1990 Natsoulas, John et al., Lyrical Vision: The 6 Gallery, 1954-1957, Natsoulas/Novelozco Gallery Press, Davis, CA, 1989.
1989 Collischan Van Wagner, Dr, Judy K, Lines of Vision: Drawings by Contemporary Women, Hudson Hills Press, Inc., New York, 1989. [ill. Euros VIII] Raven, Arlene & Brown, Betty Ann, Exposures, Women & Their Art, New Sage Press, Pasadena, CA, 1989. [ill. Volans] Grant, Daniel, “Success Stories,” American Artist, Vol. 53, No. 569, December 1989 p.53. [ill. Lieds Run & Mechelen] Ashton, Dore, The Question of Drawing, Miami, FL, South Campus Art Gallery, Miami Dade College. il. Kennett II & Kronos IV
1988 Ragon, Michel and Pleynet, Marcelin, L’Art Abstrait, 5th edition, Editions Maeght, Paris, 1988. [ill. Sceadu] Scott, Sue, “The Ellen and Jerome Westheimer Collection,” Oklahoma Art Center, Oklahoma City, OK, April 15 July 3, 1988, p. 124 il. Meath
1987 Curtiss, Deborah, Introduction to Visual Literacy: A Guide to the Visual Arts and Communication, Prentice-Hall, New York, 1987, il. p. 55 & 57 Zanthus, p. 98.
1986 “Collaborative Works: Recent Work and Catalogue Raisonné of the Visual Arts Research Institute,” Arizona State University, Tempe, AZ, March 2-April 20, 1986, Artist’s Statement p.28, il. Achill, p. 96
1985 Albright, Thomas, Art in the San Francisco Bay Area, 1945-1980: An Illustrated History, University of California Press, Berkeley, CA, 1985 Kranz, Les, American Artists: An Illustrated Survey of Leading Contemporary Americans, 1985 Ed. 1990 Ed. 1991 Robins, Corinne, The Pluralist Era, American Art 1968-1981, Harper and Row, New York, 1985. [il. Tanis] Deborah Remington-Works on Paper, Gallery at Greenville, Greenville, DL, November 2-30, 1985, Critical excerpts by D, Ashton, J, Kutner, M. Van Proyen, il. Euros II, III, IV, IX, XI, port Ratcliff, Carter, “Years,” May 18-August 30, 1985, p. 27, il. Sira, Show travels under auspices of Art Museum Association of America Moss, Jacqueline, American Art: American Women, Stamford Museum & Nature Center, 1985il. Euros X
1983 Ashton, Dore, Schimmel, Paul, Deborah Remington: A 20-Year Survey, Newport Harbor Art Museum, Newport Beach, CA, 1983 [exhib. cat.] Gatenby, Greg, Ed., Whales, A Celebration, Greenpeace Foundation, Little, Brown & Co., Boston, Toronto, 1983, p. 154, il. Auriga
1982 Deborah Remington, A 20 Year Survey, Newport Beach, CA, Newport Harbor Art Museum Ashton, Dore, American Art Since l945, Oxford University Press, NY, 1982, p.158, il. Tudor Rubinstein, Charlotte S., American Women Artists: From the Indian to the Present, G,K, Hall, Boston and Avon Books, New York, 1982, il. Gallatin, Essex
1977 Bevlin, Marjorie Elliott, Design Through Discovery, Holt, Reinhart and Winston, New York, 1977, p. 86, il. Capra
1976 Cummings, Paul, American Drawings: The 20th Century, Viking Press, 1976, il. Adelphi Series Drawing Robbins, Corinne, Drawing Now: 10 Artists, SoHo Center for Visual Arts, June 3-June 26, 1976, il: Adelphi Series
1975 Contemporary Artists, St, James Press, London, 1975 Ed. il. Tanis, Essex Shapiro, Miriam, Art: A Woman’s Sensibility, California Institute of the Arts, Valencia, CA, 1975, p. 57, il. Hudson
1973 Hess, Thomas B, & Baker, Elizabeth C., Art And Sexual Politics, Collier, New York, 1973, p. 128, il. Balaton McChesney, Mary Fuller, A Period of Exploration, The Oakland Museum, Oakland, CA
1972 Cummings, Paul, Archives of American Art, Interview with Deborah Remington, Smithsonian Institution, Washington, D.C., Summer, 1972.
1971 Two Thousand Women of Achievement, Vol.3, Melrose Press Ltd., London, UK, 1971 |
